20070712

Mary Anne

As I rounded the corner to the Pine Street Inn, Boston’s largest homeless shelter, I took off my sunglasses and wiped away the sweat from the bridge of my nose. I stayed on the shady side of the street, distancing myself from the shelter. I caught glimpses of her bleach blonde hair down the block. When I neared the front door of the Women’s Inn, Mary Anne finally saw me.

“Oh hi!” she exclaimed, walking towards me, straightening her white t-shirt. “I didn’t even see you coming, I was thinking I had missed you.”

“Oh no no. I was just staying in the shade. It’s too hot.”

Together we turned around and retraced my steps to the soundtrack of her nylon running pants.

“Yeah, I know. Believe me. We don’t got any air conditioning up there and shit, it is hot. I’ve been working too, helping clean around there. Mopping and stuff. I don’t mind it too bad, it’s nice to have the extra money, but I’m getting so tired, you know? But, you know, you gotta do what you gotta do to survive. Yeah, and mopping kind of relaxes me.”

We turned north on Harrison and walked towards downtown. Here the broader streets provided less shade. I re-adjusted my glasses, quickly wiped the sweat away, and nodded at a few of the shelter guests leaning against the brick of the Men’s Inn.

“So what’s this we’re going to?” she asked.

“It’s a public housing interview,” I explained, again. “It’s like what we went to out in Randolph, but it’s different from the Section 8 interview you had.”

“So, like, if I move there, am I stuck there for the rest of my life?”

“Well not necessarily stuck, but there’s a lot of paperwork processing to deal with if you want to move. It’s not like Section 8 that you can take anywhere in the country.” We moved fully exposed into the sun and slowed our pace.

“Yeah, so I hope I get Section 8. A couple of the other girls just got Section 8.”

I nodded in agreement. “Section 8 is the number-one thing we’ve got going for you right now. It hasn’t been around for years but they’ve got the funding back now. You’d definitely be one of the luckier ones—if you get it. I can’t guarantee you’ll get it, but they’re a lot more lenient about CORI stuff with Section 8.

We passed the Herald office, a low brick building, an island of production in the middle of parking lots filled with Fung-Wah and Lucky Star buses. I threw my coffee cup away and we paused under the awning. Mary Anne was about to get a paper, two for one, when a security guard approached the door.

“Oh, nevermind. Let’s go. Don’t need to mess with him. Well, you know,” she started up again, as if I were a potential landlord, “I’m real quiet, you know? I’m real quiet. The landlord at Wall Street said I was the best tenant he had ever had.”

We walked in silence, I didn’t remind her that she’d had that apartment in the 80s.

“People won’t even know I’m there. I’m real quiet and I’m real clean. Have you heard of this new furniture store they have? Ikea? Yeah, real cheap stuff. I’m gonna go there. I got a lot of plans. I got those beaded curtains, you know. Gonna put those up in the window. Well first I’m gonna put up shades and then the beaded ones over them. I think it’ll look real nice. I got a lot a plans. I can’t wait for my own place.”

We crossed the bridge over the Mass Pike. Cars rushed by; the noise made it hard to hear each other speak. “I’m hoping to get in there by the end of September, before the winter sets in. Moving in the winter is not something you want to do. My mother never moved in the winter. Me neither. Once I get a place, I stay there.”

What about the 90s? What about all those years you told me about, when you were moving back and forth between hotels in Texas and Massachusetts with your son?

As we walked into Chinatown, the sidewalk narrowed and crowds thickened. We passed under a long line of scaffolding and the smell of fried meat began to work its way into our hair. “Ugh, I don’t trust these Chinese places,” she said. “My ex-husband, the first one, used to clean out vents, you know, for like fans and ventilators and whatever. Well he was down here one time and stuck his hand in the stuff they use to dye the ribs and then stuck his hand up a vent that came up off the stove and when he pulled out his hand it was covered in cockroaches. Oh no, I don’t trust these places. I’ll eat in that big restaurant over by the theatre, but not these little places anymore.”

When I bumped shoulders with a woman passing by Mary Anne dropped back and walked behind me. I led the way, trying to navigate the crowds and listen to her as she spoke.

“I used to come down here all the time. When I was like 21. I would go around to all the joints, ya know? Yeah, I knew Charlie, he owned that place Charlie’s, over there on the corner. He always took good care of me. Made sure I got a cab ride back home and everything. It was a titty bar, you know,” she laughed.

“I used to hang out in all those kinds of places. That was back when I was dating Donald. But then he got murdered. Yeah.” Her laugh knew it was fucked up. “So that pretty much ended that relationship. We were going to get married and everything. All I had left was the column from the newspaper and his Budweiser underwear.”

In the midst of an intersection congested with cars and delivery trucks and rising steam and cops and construction workers and lunchtime commuters and sweet and sour chicken, I tried to process what she had just said.

This must be how she feels, I thought.

“They took all that too when they evicted me. They took every fucking thing I had. Those people, I swear. They were monsters. Grabbing my guests by their throat. Locking me out. Calling the cops on me every other minute. Even the cops said they had no reason to be there. Those people, they left a refrigerator at the top of my stairs, left this much space to get through to the hallway.” She held her hands 12 inches from each other. “The cops came down one time to yell at them about it. Said it was a fire hazard. I swear. My mother died and I told them about it and that woman said she didn’t give a rat’s ass about my mother. I swear, Stephanie, I wanted to fucking pound that bitch,” Mary Anne growled.

We paused on the corner of the next street and through her shades, in the wrinkles of her forehead, I could see thirty years of mistakes, anger, abuse, pain. Her hopelessness crushed me, I felt it in my chest, my stomach, the back of my head. I wanted to remind her how strong she was, how things were going to change soon. But I can’t guarantee anything so I just listened.

“Ooh I was so fucking pissed. Can you imagine, someone saying that to you after your mother died? I’m glad I got outta there. I couldn’t take it no more. I almost prefered the streets to those assholes. At least I didn’t have no one bothering me out there. Except the cops those couple a times they picked me up for sleeping in abandonded cars. The judge knew my situation, you know, and figured jail was better for me than the streets. At least I had a bed and food and a decent roof over my head. But I wonder now with all this CORI stuff and getting denied housing whether he was actually helping or hurting me. Ah well, you know, I just want to get my own place. Something to call my own. It’s going to be real nice. And I’m getting anxious. My son is getting anxious.”

With the housing authority in sight, she sighed, “Yeah, once I get a place I wanna get me a little chihuaha. They don’t weigh nothing, you know. Weigh less than a cat, and a cat stinks. Dogs don’t stink. I need some companionship, you know? What with the depression and the ADHD. I need something to keep my mind off it all. I’m fine, you know, as long as I take my meds. But I think a dog will be nice, and I’m going to tell them that. Just so they know going into it. I’m getting me a dog and if they won’t allow it, well, then I just won’t live there.”

6 comments:

steph said...

So this is my first blog post ever! Is there a way to make it so that only a little bit shows up, and you open the rest of it in a different window?

In any case, this piece is a result of my work with elder homeless in Boston and all of the dialogue is practically verbatim with one particular client.

For those who wish to editorialize:
Is my role too vague? Is there anything missing? i.e. imagery, information, etc? What works, what doesn't? Does it stand alone sufficiently? Is anything cliche?

Any feedback is welcomed and appreciated, and anyone who actually takes the time to read it rocks. So thanks.

--Steph

W.R. Eilers said...

yeah yeah yeah... I will read it more intensely later and give you my thoughts, but I am so excited right now that someone is using it!!!!!! I will see what I can do about the length that shows on the page.

Annie said...

btw, i know you had some questions about how to make her accent come across... well, i am reading Ethan Frome (by Edith Wharton) and I think she does a good job. She really only emphasizes the accent when it's most apparent, like in the word "first" (she spells it "fust").

W.R. Eilers said...

ok. finally had a chance to read it. A few thoughts. Remember that many of us don't have a clue what boston looks and feels like. You might surprise yourself when you go to describe your vision of boston. The point being, though, give your reader a picture to move the narrative through the mind. Otherwise, I want to attach an image of a homeless shelter that I know, say here in Miami. On that same point, I agree with AnnieA, a good accent will bring the scene into perspective. It is something I have been trying to get down for a while. If you struggle, then use more descriptive language for how the words were spoken. Lastly, just a different twist on things, you could record these conversations or interview to get yourself in the mood.
Good start!!!!

D said...

Nice, I haven't had a chance to post anything yet, but I'm glad somebody got it going. I just gave this a quick run-through, and I have just a bit to add to what's been said. You seemed to shortcut some things in an effort to get this long and dialogue based story out. I know how hard it is to write and remember all that dialogue, but that's only half the story. A quick example of need for elaboration is "Her laugh knew it was fucked up." this doesn't draw anything... profanity, especiatlly as a description, is usually a cop out or a shortcut. i don't mean anything by that; rather, it's alwasy been one of my biggest writing flaws. Why was it fucked up, because she was hiding emotion? because it was forced or fake? because it was sociopathic or demonstrated the shell she'd built?

steph said...

Thanks for the comments, guys! I will certainly take them into consideration when I revise.

In response: this started out as just writing down a walk I took with a client to an appointment. In this second draft I tried to go back and fill in the descriptive blanks, and figure out what I was trying to say with the piece.

I'm personally still trying to figure out Boston, so describing it in prose is proving quite difficult. But I'm working on it....

That said, I see this piece as being one in many based on interactions with my clients, and the stories they tell me. Eventually, as a collection, each piece will illuminate different locations and bureaucracies of Boston and provide various snapshots into the lives of Boston's elder homeless population.

whew. it's intense and we'll see if I can do it. But this is the start, so thanks for your thoughts!